Story 1, 2021 – permanent marker, skin, time. I had started writing a story on my arms. Others were invited to contribute to it. I was not allowed to see what had been added until after it had been done. Digital manipulation of pictures taken to document the story from start to finish. 
Intersections, 2020 (1/2) – digital manipulation of line drawing, pixel sorting 
Intersections, 2020 (2/2) – digital manipulation of line drawing 
362V6, 2020 (1/2) – digital manipulation, databending, based on image captured in Yellowstone National Park, 2019 
364D1, 2020 (2/2) – digital manipulation, databending, based on image captured in Yellowstone National Park, 2019 
MONOLITH I, 2020 (1/6) – 3D fractal rendering, digital manipulation, pixel sorting 
MONOLITH II, 2020 (2/6) – 3D fractal rendering, digital manipulation, pixel sorting 
MONOLITH III, 2020 (3/6) – 3D fractal rendering, digital manipulation, pixel sorting 
MONOLITH IV, 2020 (4/6) – 3D fractal rendering, digital manipulation, pixel sorting 
MONOLITH V, 2020 (5/6) – 3D fractal rendering, digital manipulation, pixel sorting 
MONOLITH VI, 2020 (6/6) – 3D fractal rendering, digital manipulation, pixel sorting 
Echopiece, 2020 – image collage, digital manipulation, databending 
Anathema, 2020 (cover piece for release of the same name by The Halcyon Effect) – 3D fractal rendering, digital manipulation 
4 variations on a cherry tree (scrapped), 2020 – digital manipulation, databending, based on image captured in the yard 
3 scenes and a rainbow near Paia, echobent (scrapped), 2020 (1/3) – image collage, digital manipulation, databending, based on images captured near Paia, Hawai’i, 2019 
3 scenes and a rainbow near Paia, echobent2 (scrapped), 2020 (2/3) – image collage, digital manipulation, databending, based on images captured near Paia, Hawai’i, 2019 
3 scenes and a rainbow near Paia, echobent3 (scrapped), 2020 (3/3) – image collage, digital manipulation, databending, based on images captured near Paia, Hawai’i, 2019
Roberto Granados 